Will Evans
Biography
Will trained at the Central School of Speech and Drama.
Lighting design credits includeThe Music of Andrew Lloyd Webber' (Showbiz Pops Orchestra), 'Thark' (Hidden Pearl, Upstairs at the Gatehouse), 'Russian National Mail (Sputnik Theatre Moscow and Ekaterineburg) 'The Tempest' (Theatre Royal Winchester), 'The Night Before Christmas' (Big Wooden Horse/Brighton Dome, touring) 'How the Giraffe Got Its Neck', 'Monster Hits', Does a Monster Live Next Door?' and 'Cat and No Mouse' (Tall Stories), Lady Chatterly's Lover' (Buxton Opera House and Touring), 'Honeymoon in Flames' (Greenhorn, Pauper's Pit Theatre, Buxton), 'Serenading Louie' (Aorta, GBS theatre, London) ‘Legend of Perseus’, 'Don't let the Pigeon Stay up Late!' and 'Don't let the Pigeon Drive the Bus!' (Big Wooden Horse, national and international tours), ‘React!’ (Oscada productions, Touring), ‘Spend Spend Spend’ and ‘7 Lears’ (Birmingham School of Acting).
Re-lights include national tours of 'An Inspector Calls' (PW Productions), 'Mine', 'War & Peace', 'Kindertransport', 'Orestes' and 'Jane Eyre' (Shared Experience), 'Casanova' (West Yorkshire Playhouse/Told by an Idiot), 'A Fine Balance' (Tamasha), ‘HMS Pinafore’ (Carl Rosa Opera), ‘Street Trilogy’ (Theatre Absolute), ‘Golden Boy’ (Broadway Productions), ‘Something Else’ and ‘Snow White’ (Tall Stories).
Associate lighting design work includes 'The Gruffalo' (Arts Theatre, London) for James Whiteside.