Ali Hunter
This member has not provided a biography.
Previous productions
| Show name | Type | Venue/Company | Role | Creative Team | Opened |
|---|---|---|---|---|---|
| Muckers | Theatre |
the egg, Theatre Royal, Bath, then touring the egg |
Lighting Designer |
Director: Jose Troncoso Set designer: Verity Quinn |
Feb 2019 |
| Soft Animals | Theatre |
Soho Theatre, London Soho Theatre London |
Lighting Designer |
Director: Lakesha Aire Angelo Set designer: Anna Reid |
Feb 2019 |
| Cinderella and the Beanstalk | Theatre |
Theatre503 Theatre503 Productions |
Lighting Designer |
Director: Carla Kingham Set designer: Daisy Blower |
Dec 2018 |
| Clear White Light | Theatre |
Live Theatre, Newcastle Live Theatre, Newcastle |
Lighting Designer |
Director: Joe Douglas Set designer: Neil Warmington |
Nov 2018 |
| Don't Forget the Birds | Theatre |
Live Theatre, Newcastle, then touring Open Clasp |
Lighting Designer |
Director: Laura Lindow Set designer: Verity Quinn |
Nov 2018 |
| The Boatswain's Mate | Opera |
Arcola Studio 2 (Grimeborn Festival) Spectra Ensemble |
Lighting Designer |
Director: Cecilia Stinton Set designer: Christianna Mason |
Jul 2018 |
| The Play About My Dad | Theatre | Jermyn Street Theatre | Lighting Designer |
Director: Stella Powell-Jones Set designer: Charlotte Espiner |
Jun 2018 |
| Rattlesnake | Theatre |
Live Theatre, Newcastle Open Clasp |
Lighting Designer |
Director: Charlotte Bennett Set designer: Anna Reid |
Sep 2017 |
Cinderella and the Beanstalk
Ali Hunter’s lighting design blew me away and inspired me to change my perception of the limitation within black box spaces.
Hanna Storey, Pocket Size Theatre
Clear White Light
Neil Warmington’s set design is flexible and oppressive, its effectiveness aided in no small measure by Ali Hunter’s very atmospheric (and occasionally startling) lighting
Peter Lathan, British Theatre Guide
Rattlesnake
The set, designed by Anna Reid, is the simple box frame of a small room, much smaller than the stage, which is in shadow all around it, and, coupled with Ali Hunter’s sensitive (that word again!) lighting, it creates an oppressive, claustrophobic atmosphere, aided by the almost subliminal sound design by Open Clasp regular Roma Yagnik.
Peter Lathan, British Theatre Guide
Theatre:
- International
- Regional (Main House)
- Regional (Studio)
- Small Scale Touring
- Fringe / Pub Theatre
Musical:
- Small Scale / Fringe
- Pantomime
Opera:
- Small scale
Dance:
- International
- Medium Scale
- Small Scale
| Contact method | Details |
|---|---|
| Email address | ali@alihunterlighting.co.uk |
| Website | www.alihunterlighting.co.uk |
Appearing here soon... a collection of articles from the Focus magazine archives.
