Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Donald Maxwell as Dai Greatcoat | Photographer: Bill Cooper
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Andrew Bidlack and Marcus Farnsworth | Photographer: Bill Cooper
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photographer: Bill Cooper

In Parenthesis

by
with Malcolm Rippeth as Lighting Designer
, then touring
Yes

Director:

Set designer:

Dates: 
13/05/2016 to 01/07/2016

Show type:

Production photographs

Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photograph from In Parenthesis - lighting design by Malcolm Rippeth
Photograph from In Parenthesis - lighting design by Malcolm Rippeth

Press quotes

David Pountney’s staging shows the experienced hand of a master in its compact, effective delivery, its use of light, shadow-play and projection.
Colin Clarke, Seen and Heard International 01/07/2016
The lighting design (Malcolm Rippeth) recreates the multifarious shifts of perspective in Jones’ text - which explores not just Ball’s experience but a collective consciousness - and the hallucinatory worlds into with the poet-dreamer Ball’s mind wanders. Through an oval aperture above the... continue reading
Claire Seymour, Opera Today 29/06/2016
It all comes to life thanks to gorgeous lighting from Malcolm Rippeth.
Mike Smith, walesonline.co.uk 15/05/2016